Bash It Out

bash-it-outWhen the charge relates to my literature-related activities, if I can be convicted of anything, it’s that I postpone diving into my daily writing routine like a vertigo sufferer at a Procrastinators’ Anonymous skydiving meet up.

My claim is that I’ve always produced my best work under pressure, when in fact, whenever the hammer of time has descended just to the point where it’s about to flatten my eyebrows, I’ve produced ‘work’, and nothing more.

So in an effort to procrastinate even further, I set out creating a WordPress plugin to provide a little friendly nudge to the slovenly.

It’s called Bash It Out. To use it, you set a word goal, a writing time limit, how often you want to be nagged, and it will provide you with the overbearing pressure you need to bash out that word count.

Installation instructions

  1. Get the plugin
  2. Install and activate

It will be in perennial beta, so please create a Github issue and I will try not to ignore it. After I perform sufficient dogfooding on the thing, I’ll try to push it to the WordPress plugin directory.

Now, back to procrastinating!!

Literary agnosia and the short story

The DrawerWriters of every genre will recognise the scourge of familiarity; the sense of intimacy with your own work which is so great that it renders your powers of objectivity impotent. Does this story work? Have I chosen the right phrasing? What should I cut? The questions keep coming but no one answers.

When I’m working on a piece, particularly a short story in which every paragraph must count for something, I often lose all perspective. And returning to the page every day only seems to make the condition more acute; proximity threatens to destroy creativity, like a magnifying glass burning ants as it concentrates the sun’s rays. The pressure to produce and finish stories leads to unsatisfactory conclusions or improbable characters, and I think that sometimes I’m writing simply because I feel I have to and not because I want to… or can, for that matter.

So what do we do? Continue reading “Literary agnosia and the short story”

Writer’s block… Oh, it’s real

Writer’s block, A.K.A the bogey man

He lurks behind a milk curtain, morse-coding reprimands and insults with my own cursor. Six dots and a jarring ‘Oh!’ (The exclamation mark is implied).

“It’s you again,” he says. “Did you know that your last idea for a plot was terrible? It was worse than terrible. It gave me migraines in my stapes, and I don’t even have stapes. Where are you taking that wretched creature? That ‘character’, as you name him? Preferably somewhere to die. Because that’s where he’s headed if you start typing – right into the grave. He’ll be pushing up digital daisies before bedtime and you’ll be ten thousand words in the red. Just like I told you.” Continue reading “Writer’s block… Oh, it’s real”

Why rejection letters are the new Xanax

14-rules-of-storytellingI was hay making through the chaff in my inbox recently when I stumbled across a curt email from [enter not-so-prominent journal name here] informing me that my piece entitled [enter short story title] had unfortunately been rejected.

I can’t remember my precise reaction – it may have involved scratching my behind, or sucking out the remaining juice from the Tetley bag stranded at the bottom of the teapot – but it went along the lines of, ‘whatever’. Continue reading “Why rejection letters are the new Xanax”

Pixar’s 22 tips for telling a ripping story

There’s a cart-load of advice out there for would-be storysmiths; everything from websites explaining how to go about self-publishing, right down to books that cover the finer points of stringing together an intelligible sentence.

But the most important and fundamental skill of fiction writing, the marrow if you will, is effective story writing. IT’S THE STORY STOOPID! And, at least in my case, it’s the most challenging.

Fortunately, once in a while you come across advice that is so so incisive that you feel inspired (and somewhat relieved) just reading through them.  You think, “Hey, you’ve just summed up in one paragraph what that other book couldn’t do in twelve chapters.” Although they’ve now been out there a good while, the collected tweets of Emma Coats, former storyboard artist at Pixar, is such advice. It’s all the wisdom she has accumulated working on major animated films and it’s essential reading for fiction writers of all persuasions… yes, even short story writers. Continue reading “Pixar’s 22 tips for telling a ripping story”